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I vaguely remember I was trying to work with dissonances, namely a particular part of the passage right before returning to main theme… notes, semitones apart—and just how jarring can it sound? Well, rather cathartic if you can space them enough apart.

I was driving scissor lifts and operating cardboard crushers and while mind might be fresh as there’s little mental simulation the body just wanted rest and that did affect the overall output, improvisation included. In 5 flats.